France Télévisions the French public broadcaster explain why they selected Sony Professional to bring together under a unified management infrastructure all of its channels.
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“Sony’s 3D kit is beneficial for broadcasters since once they’ve made the initial investment it isn’t an expensive build per rig.”
“It’s about getting everybody to understand what makes for good 3D shots. In 2D you can get away with faster panning and jumps versus 3D – for 3D it’s what we call ‘linger longer’. If you’re jumping between shots, the depth is way in and then way out and, if you don’t have a small depth transition between shots, that creates a lot of eye strain.”